Het Parool Review – Ode To The Bijlmer

Bijlmer nostalgia is complicated, as appeared last Saturday at the opening of the exhibition Ode to the Bijlmer. The dingy photos and videos that Patrick Koster (1967) and Thérèse Zoekde (1972) made in the Bijlmermeer in the years 1989-1997 confirm the image of a scary neighborhood where danger lu