Exhibition-overview Art work - Patrick Koster is contemporary visual artist based in Amsterdam, Netherlands

The Laments of an Icare, solo, KVDL gallery, Left: The Fugitive (triptych), 2014, h 165,1 x w 325 cm - Right: Döppelganger 3/3, 14-15, collage of adhesive film on drawing polyester (on lightbox)

The Laments of an Icare, solo, KVDL gallery, The Fugitive (triptych), 2014, h 165,1 x w 325 cm, collage of adhesive film on drawing polyester

The Laments of an Icare, solo, KVdL gallery, Icarus (triptych), 12-13, h175 x w275 cm, collage of adhesive film on drawing polyester

The Laments of an Icare, solo, KVDL gallery, Hanna and Evy in Delft, 1944,1/2, 2015, h 152,4 x w 76,2 cm, collage of adhesive film on drawing polyester

The Laments of an Icare, solo, KVDL gallery, T/B: Shadow Flag 2/2, 2015, Shadow Flag 1/2, 2015, For the Great Day, 2015, h100 x w100 cm each, collage of adhesive film on drawing polyester

The Laments of an Icare, solo, KVDL gallery, L/R: T/B: Shadow Flag 1/2, '15 (part) | For the Great Day, '15, h 100 x w 100 cm each - rear view, collage of adhesive film on drawing polyester

The Laments of an Icare, solo, KVDL gallery, Le Massacre des Innocents, 2016, h200 x w116,7 cm, collage of adhesive film on drawing polyester

The Laments of an Icare, solo, KVDL gallery, L/R: L/R: Doppelgänger 3/3, 14-15, h 147,8 x w 123,2 cm, lightbox | Le Massacre des Innocents, 2016, h 200 x w 116,7 cm, collage of adhesive film on drawing polyester

The Laments of an Icare, solo, KVDL gallery, L/R: L/R: Le Massacre des Innocents, 2016, h 200 x w 116,7 cm | Hanna and Evy in Delft, 1944 II, ser #2, 2016, h 152,4 x w 76,2 cm, collage of adhesive film on drawing polyester (on lightbox)

The Laments of an Icare, solo, KVDL gallery, Hanna and Evy in Delft, 1944 2, ser 2, 2016, h152,4 x w76,2 cm, collage of adhesive film on drawing polyester on lightbox

The Laments of an Icare, solo, KVDL gallery, L/R: Hanna and Evy in Delft, 1944 2/2, 2016, h 152,4 x w 76,2 cm | T/B: Shadow Flag 1/2, '15. | For the Great Day, '15, (part), h 100 x w 100 cm each, collage of adhesive film on drawing polyester

The Laments of an Icare, solo exhibition, Kennedy Van der Laan, Revolution, 2015, h 150,9 x w 106,7 cm, collage of adhesive film on drawing polyester

The Laments of an Icare, solo, KVDL gallery, Revolution, 2015, h150,9 x w106,7 cm, collage of adhesive film on drawing polyester

15 april 2022

Exhibition

Solo | Laments of an Icarus

The Laments of an Icarusis the title of a solo exhibition at Kenndey Van der Laan (lawyers) gallery with new artworks by Patrick Koster. It is not often that you come across an artist who has been working in his studio for about twenty years. He has hardly ever shown that work before. More often it

Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box 4x 60x60 cm | video work: Kraaienest Parking, 5:23 min | This Is The Flat I Have Lived In, 34:59 min | Bijlmer Years 1989-1997, pinhole photo on lightbox, 120x120 cm.

Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | video work: Kraaiennest Parking

Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | video work: Kraaiennest Parking, 5:23 min | pinhole photo on lightbox, 120x120 cm.

Exhibition overview of Ode To The Bijlmer at CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box, 120x120 cm | 3x video stills.

Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box, 120x120 cm | 3x video stills.

Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box 2x 60x60 cm | video work: This Is The Flat I Have Lived In, 34:59 min | video: Kraaiennest Parking, 5:23 min | pinhole photo on lightbox, 120x120 cm | 3x video stills.

Exhibition overview of Ode To The Bijlmer at CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box 4x 60x60 cm | video work: This Is The Flat I Have Lived In, 34:59 min.

Ode to the Bijlmer. 2018, show, CBK Southeast, Bijlmer Years 1989-1997, Koningshoef 6, h60 x w60 cm each, pinhole photo on lightbox

1 februari 2022

Arts, Exhibition

Bijlmer Years 1989-1997

Twenty-nine years ago, as students at the Rietveld Academy, they came to live in this district. After nine years, urban renewal forced them to leave. Their earlier Bijlmer habitat, was former subject matter for their artistic work. It had a significant influence on their personal and artistic develo

Newspaper Het Parool wrote a major article about the exhibition Ode aan de Bijlmer in CBK Zuidoost, in which the project Bijlmer Years by the artists Thérèse Zoekende and Patrick Koster were reviewed.

7 januari 2022

Review, Arts

Het Parool Review – Ode To The Bijlmer

Bijlmer nostalgia is complicated, as appeared last Saturday at the opening of the exhibition Ode to the Bijlmer. The dingy photos and videos that Patrick Koster (1967) and Thérèse Zoekde (1972) made in the Bijlmermeer in the years 1989-1997 confirm the image of a scary neighborhood where danger lu

patrick.hattrick

103 13.034

ᡣ𐭩 Contemp. Artist ๑ Amsterdam ༺
空手道 Founder ⨳ karate sensei @kiclub.cool
#visualart #nft #contemporaryart #collageart #martialarts #artist#digitalart

Here you see another work from my sketchboard.
In the meantime I am still working on the fascinating La Fête Galante series.
In this post I focus on the dance, one of the staples of this genre.

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The painter Nicolas Lancret painted a very beautiful painting around 1730 entitled La Camargo Dancing. Nicolas Lancret was one of Antoine Watteau’s most talented followers and helped to disseminate the taste for fête-galante subjects in the eighteenth century.
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Lancret, like Watteau, was often inspired by the stage, and the female dancer depicted here is Marie-Anne de Cupis de Camargo, a ballet star of the Paris Opéra. La Camargo is dressed in a white gown embroidered with flowers, suggesting a pastoral opera. She is gracefully poised and her partner’s gestures subtly mirror her movements. Camargo, who was immensely talented, expanded the repertoire of eighteenth-century ballet with new steps that encouraged active footwork. To facilitate her movements, she shortened her skirts and may have been one of the first dancers to wear ballet slippers.

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See also https://www.patrickkoster.nl/artwork/fete-galante/

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#fete #vivre #galant #rococo #visualart #collage #studio #lifestyle #cosmo #cosmopolitan #sketchbook #light #lightness #lightnessofbeing #sketching #paper #papercut #papercraft #theatre #theater #instacollage #contemporarycollage #cosplay #costume #vieenrose #pop #dancer #dance #stage #colors
🐰

801 306

Openen

Here you see another work from my sketchboard.
In the meantime I am still working on the fascinating La Fête Galante series.
In this post I focus on the dance, one of the staples of this genre.

🪩

The painter Nicolas Lancret painted a very beautiful painting around 1730 entitled La Camargo Dancing. Nicolas Lancret was one of Antoine Watteau’s most talented followers and helped to disseminate the taste for fête-galante subjects in the eighteenth century.
🕺🏻💃
Lancret, like Watteau, was often inspired by the stage, and the female dancer depicted here is Marie-Anne de Cupis de Camargo, a ballet star of the Paris Opéra. La Camargo is dressed in a white gown embroidered with flowers, suggesting a pastoral opera. She is gracefully poised and her partner’s gestures subtly mirror her movements. Camargo, who was immensely talented, expanded the repertoire of eighteenth-century ballet with new steps that encouraged active footwork. To facilitate her movements, she shortened her skirts and may have been one of the first dancers to wear ballet slippers.

🪩

See also https://www.patrickkoster.nl/artwork/fete-galante/

🪩

#fete #vivre #galant #rococo #visualart #collage #studio #lifestyle #cosmo #cosmopolitan #sketchbook #light #lightness #lightnessofbeing #sketching #paper #papercut #papercraft #theatre #theater #instacollage #contemporarycollage #cosplay #costume #vieenrose #pop #dancer #dance #stage #colors
🐰

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🤍
This is my sketch board.
Let’s zoom in to check some studies of Mezzetino for the Fête Galante series.
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Mezzetino was a comedy character, based on Harlequin but with his own distinctive costume, who was introduced for the first time by the Théâtre italien de Paris actor, Angelo Costantini. His expressive face allowed him to portray the role without a mask, a tradition kept alive by all successive Mezzetinos. That novelty attracted Watteau, who featured Mezzetino in several of his works.
.
See also www.patrickkoster.com | https://www.patrickkoster.nl/artwork/fete-galante/
.
#fete #vivre #galant #rococo #visualart #collage #studio #lifestyle #cosmo #cosmopolitan #sketchbook #light #lightness #lightnessofbeing #sketch #paper #papercut #papercrafts #theatre #theater #instacollage #contemporarycollage #cosplay #costume #vieenrose #pop #analog #analogcollage #handmade #color

642 195

Openen

🤍
This is my sketch board.
Let’s zoom in to check some studies of Mezzetino for the Fête Galante series.
.
Mezzetino was a comedy character, based on Harlequin but with his own distinctive costume, who was introduced for the first time by the Théâtre italien de Paris actor, Angelo Costantini. His expressive face allowed him to portray the role without a mask, a tradition kept alive by all successive Mezzetinos. That novelty attracted Watteau, who featured Mezzetino in several of his works.
.
See also www.patrickkoster.com | https://www.patrickkoster.nl/artwork/fete-galante/
.
#fete #vivre #galant #rococo #visualart #collage #studio #lifestyle #cosmo #cosmopolitan #sketchbook #light #lightness #lightnessofbeing #sketch #paper #papercut #papercrafts #theatre #theater #instacollage #contemporarycollage #cosplay #costume #vieenrose #pop #analog #analogcollage #handmade #color

642 195

Sower and Reaper at Rest, 2020
Anolog collage and drawing on paper No.6042023, h 11 x w 8.3 inch (h 28 x w 21,1 cm), felt pen, fineliner, adhesive tape, paper on paper
From the series: On Paper, Parable of the Soils
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Available € 650
Free worldwide shipping
DM if you are interested
.
Also check my website www.patrickkoster.com for more:
https://www.patrickkoster.nl/artwork/on-paper/
.
#paper #collage #contemporaryart #visualart #artist #soil #colorful #draw #artgallery #available #artlover #cool #rest #sew #reaper #instaart #work #summer #easy #like #hello #artofinstagram #lovetodraw #love #smallbusiness #foryou #share #peace #myart #myartwork

1238 412

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Sower and Reaper at Rest, 2020
Anolog collage and drawing on paper No.6042023, h 11 x w 8.3 inch (h 28 x w 21,1 cm), felt pen, fineliner, adhesive tape, paper on paper
From the series: On Paper, Parable of the Soils
.
Available € 650
Free worldwide shipping
DM if you are interested
.
Also check my website www.patrickkoster.com for more:
https://www.patrickkoster.nl/artwork/on-paper/
.
#paper #collage #contemporaryart #visualart #artist #soil #colorful #draw #artgallery #available #artlover #cool #rest #sew #reaper #instaart #work #summer #easy #like #hello #artofinstagram #lovetodraw #love #smallbusiness #foryou #share #peace #myart #myartwork

1238 412

La Fête Galante 8, Mezzetino tuning his guitar, 2024, h 50 x w 36 cm (h 19.8 x w 14.2 inch), analog, hand-cut collage, paper, print on paper
🎸
✨
🕺🏻
✨
💕
✨
✌️

Mezzetino, tuning his guitar while dressed in a Van Dyck civil war costume.
Mezzetino was a comedy character, based on Harlequin but with his own distinctive costume, who was introduced for the first time by the Théâtre italien de Paris actor Angelo Costantini on October 16, 1683. Constantini’s expressive face allowed him to portray the role without a mask, a tradition kept alive by all successive Mezzetinos. That novelty attracted Watteau, who featured Mezzetino in several of his works.
.
I depict the series La Fete Galante at a time when there is a lot of unrest in the world. Through the treatment of the theme, I express the wish for more respect, grace, courtesy and peace-lovingness, in small and large.
.
See also https://www.patrickkoster.nl/artwork/fete-galante/
.
#amor #embrace #fete #galant #flirt #guitar #idyll #masquerade #open #air #outdoors #outdoor #entertainment #entertainer #park #passion #pleasure #pleinair #rococo #serenade #sunset #theatre #valet #aristocrat #conversation #lover #visualart #instacollage #lifestyle #cosmopolitan

1148 368

Openen

La Fête Galante 8, Mezzetino tuning his guitar, 2024, h 50 x w 36 cm (h 19.8 x w 14.2 inch), analog, hand-cut collage, paper, print on paper
🎸
✨
🕺🏻
✨
💕
✨
✌️

Mezzetino, tuning his guitar while dressed in a Van Dyck civil war costume.
Mezzetino was a comedy character, based on Harlequin but with his own distinctive costume, who was introduced for the first time by the Théâtre italien de Paris actor Angelo Costantini on October 16, 1683. Constantini’s expressive face allowed him to portray the role without a mask, a tradition kept alive by all successive Mezzetinos. That novelty attracted Watteau, who featured Mezzetino in several of his works.
.
I depict the series La Fete Galante at a time when there is a lot of unrest in the world. Through the treatment of the theme, I express the wish for more respect, grace, courtesy and peace-lovingness, in small and large.
.
See also https://www.patrickkoster.nl/artwork/fete-galante/
.
#amor #embrace #fete #galant #flirt #guitar #idyll #masquerade #open #air #outdoors #outdoor #entertainment #entertainer #park #passion #pleasure #pleinair #rococo #serenade #sunset #theatre #valet #aristocrat #conversation #lover #visualart #instacollage #lifestyle #cosmopolitan

1148 368

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