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Patrick Koster
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Monochrome collage works on lightbox from the series titled The Vernissage on show at WiHH Gallery Amsterdam
12 januari 2026
Exhibition, Gallery

WiHH Gallery

The Vernissage at WiHH Gallery Exhibition at WiHH Gallery The exhibition at WiHH Gallery runs from October 14, 2025 to January 25, 2026. On Show: Three works from the five-piece series titled The Vernissage. The three exhibited works are: Numbers 1, 3, and 5, created in 2018. They are collages of ad

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Newspaper Het Parool wrote a major article about the exhibition Ode aan de Bijlmer in CBK Zuidoost, in which the project Bijlmer Years by the artists Thérèse Zoekende and Patrick Koster were reviewed.
19 september 2018
Review, Arts

Het Parool Review – Ode To The Bijlmer

Bijlmer nostalgia is complicated, as appeared last Saturday at the opening of the exhibition Ode to the Bijlmer. The dingy photos and videos that Patrick Koster (1967) and Thérèse Zoekde (1972) made in the Bijlmermeer in the years 1989-1997 confirm the image of a scary neighborhood where danger lu

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Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box 4x 60x60 cm | video work: Kraaienest Parking, 5:23 min | This Is The Flat I Have Lived In, 34:59 min | Bijlmer Years 1989-1997, pinhole photo on lightbox, 120x120 cm.
Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | video work: Kraaiennest Parking
Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | video work: Kraaiennest Parking
Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | video work: Kraaiennest Parking, 5:23 min | pinhole photo on lightbox, 120x120 cm.
Exhibition overview of Ode To The Bijlmer at CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box, 120x120 cm | 3x video stills.
Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box, 120x120 cm | 3x video stills.
Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box 2x 60x60 cm | video work: This Is The Flat I Have Lived In, 34:59 min | video: Kraaiennest Parking, 5:23 min | pinhole photo on lightbox, 120x120 cm | 3x video stills.
Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box 2x 60x60 cm | video work: This Is The Flat I Have Lived In, 34:59 min | video: Kraaiennest Parking, 5:23 min | pinhole photo on lightbox, 120x120 cm.
Exhibition overview of Ode To The Bijlmer at CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box 4x 60x60 cm | video work: This Is The Flat I Have Lived In, 34:59 min.
Ode to the Bijlmer. 2018, show, CBK Southeast, Bijlmer Years 1989-1997, Koningshoef 6, h60 x w60 cm each, pinhole photo on lightbox
9 september 2018
Arts, Exhibition

Bijlmer Years 1989-1997

Twenty-nine years ago, as students at the Rietveld Academy, they came to live in this district. After nine years, urban renewal forced them to leave. Their earlier Bijlmer habitat, was former subject matter for their artistic work. It had a significant influence on their personal and artistic develo

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The Laments of an Icare, solo, KVDL gallery, Left: The Fugitive (triptych), 2014, h 165,1 x w 325 cm - Right: Döppelganger 3/3, 14-15, collage of adhesive film on drawing polyester (on lightbox)
The Laments of an Icare, solo, KVDL gallery, The Fugitive (triptych), 2014, h 165,1 x w 325 cm, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, Left: The Fugitive (triptych), 2014, h 165,1 x w 325 cm - Right: Döppelganger 3/3, 14-15, collage of adhesive film on drawing polyester (on lightbox)
The Laments of an Icare, solo, KVDL gallery, Left: The Fugitive (triptych), 2014, h 165,1 x w 325 cm - Right: Döppelganger 3/3, 14-15, collage of adhesive film on drawing polyester (on lightbox)
The Laments of an Icare, solo, KVdL gallery, Icarus (triptych), 12-13, h175 x w275 cm, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, Icarus (triptych), 12-13, h 175 x w 275 cm, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVdL gallery, Icarus (triptych), 12-13, h175 x w275 cm, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVdL gallery, Icarus (triptych), 12-13, h175 x w275 cm, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, Hanna and Evy in Delft, 1944,1/2, 2015, h 152,4 x w 76,2 cm, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, Hanna and Evy in Delft, 1944,1/2, 2015, h 152,4 x w 76,2 cm, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, T/B: Shadow Flag 2/2, 2015, Shadow Flag 1/2, 2015, For the Great Day, 2015, h100 x w100 cm each, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, T/B: Shadow Flag 2/2, 2015, Shadow Flag 1/2, 2015, For the Great Day, 2015, h100 x w100 cm each, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, T/B: Shadow Flag 2/2, 2015 | Shadow Flag 1/2, 2015 | For the Great Day, 2015, h100 x w100 cm each, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, L/R: T/B: Shadow Flag 1/2, '15 (part) | For the Great Day, '15, h 100 x w 100 cm each - rear view, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, L/R: T/B: Shadow Flag 1/2, '15 (part) | For the Great Day, '15, h 100 x w 100 cm each - rear view, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, Le Massacre des Innocents, 2016, h200 x w116,7 cm, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, L/R: L/R: Doppelgänger 3/3, 14-15, h 147,8 x w 123,2 cm, lightbox | Le Massacre des Innocents, 2016, h 200 x w 116,7 cm, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, L/R: L/R: Le Massacre des Innocents, 2016, h 200 x w 116,7 cm | Hanna and Evy in Delft, 1944 II, ser #2, 2016, h 152,4 x w 76,2 cm, collage of adhesive film on drawing polyester (on lightbox)
The Laments of an Icare, solo, KVDL gallery, Hanna and Evy in Delft, 1944 2, ser 2, 2016, h152,4 x w76,2 cm, collage of adhesive film on drawing polyester on lightbox
The Laments of an Icare, solo, KVDL gallery, L/R: Hanna and Evy in Delft, 1944 2/2, 2016, h 152,4 x w 76,2 cm | T/B: Shadow Flag 1/2, '15. | For the Great Day, '15, (part), h 100 x w 100 cm each, collage of adhesive film on drawing polyester
The Laments of an Icare, solo exhibition, Kennedy Van der Laan, Revolution, 2015, h 150,9 x w 106,7 cm, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, Revolution, 2015, h150,9 x w106,7 cm, collage of adhesive film on drawing polyester
The Laments of an Icare, solo exhibition, Kennedy Van der Laan, Revolution, 2015, h 150,9 x w 106,7 cm, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, T/B: Shadow Flag 2/2, 2015 | Shadow Flag 1/2, 2015 | For the Great Day, 2015, h100 x w100 cm each, collage of adhesive film on drawing polyester
The Laments of an Icare, solo, KVDL gallery, T/B: Shadow Flag 2/2, 2015 | Shadow Flag 1/2, 2015 | For the Great Day, 2015, h100 x w100 cm each, collage of adhesive film on drawing polyester
30 november 2016
Exhibition

Solo | Laments of an Icarus

The Laments of an Icarusis the title of a solo exhibition at Kenndey Van der Laan (lawyers) gallery with new artworks by Patrick Koster. It is not often that you come across an artist who has been working in his studio for about twenty years. He has hardly ever shown that work before. More often it

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About

Content inspired by the news, images from the media, poetry and philosophy and biblical and mythical iconography, the artist uses bright and cheerful colors in a sometimes misleading way. Intrigued by tension between (inner) peace and violence, he often treats subjects that are dark and layered with heavy meanings.

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